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HAPPY HOLIDAZE AND A NEW RELEASE

Amazon / Goodreads

MY REVIEW

Is there a Santa Claus? Elves? Reindeer? Do they live at the North Pole? Why havent humans ever found them? If you have been following the series, you may have some of the answers already.

Avery Neva (Snow) Tannenbaum was born on her Nana Rais birthday and they celebrated it together every year. This year is different. Her Nana has passed away and left a last request.

Toymaker is all about him, and the Hunt for him. But there is so much more going on the just a game and there is more to the Hunt than win or lose.

I love the unique characters and the world they live in. Dangerous and magical, good and badand TOYS. Thank you Santa.

Tony Bertauski has a way with words and has written of a fantastical, magical fantasy world, filled with imagination and creativity, weaving the real world, the future, the past, and the present into a present (?).

I voluntarily reviewed a free copy of Toymaker by Tony Bertauski.

AMAZON SYNOPSIS

The 9th standalone novel in the Claus Universe.

One Christmas morning, a mystery gift appeared under trees around the world. It was the exact same gift, inscribed with the maker’s initials in tiny letters: BT and Company. It was months before anyone knew exactly what the gift did.

Avery Tannenbaum’s brother was one of the lucky few to receive one. It was on her birthday when the mysterious gifts came to life. A contest was announced. It was also on that very same day Avery’s grandmother passed away.

An eccentric, wealthy woman, Nana Rai left detailed instructions on how to commemorate her passing, a celebration to be held on Christmas morning, which just so happened to be the same day the contest was set to end. Avery’s family travels to a cold and snowy land to honor her grandmother’s wishes. And it’s here she uncovers the true purpose of the mystery gift, and why the makers launched a global contest.

As Nana Rai’s celebration nears, Avery follows clues her grandmother left behind. BT and Company are searching for the Toymaker. And Avery knows what they’ll do when they find him. She becomes part of her grandmother’s plan to stop them. The real mystery isn’t where the Toymaker is hiding.

It’s why he’s hiding in the first place.

REVIEWS FOR THE CLAUS UNIVERSE

ABOUT TONY BERTAUSKI

Get my books FREE. Tell me where to send them at http://bertauski.com

My grandpa never graduated high school. He retired from a steel mill in the mid-70s. He was uneducated, but he was a voracious reader. I remember going through his bookshelves of paperback sci-fi novels, smelling musty old paper, pulling Piers Anthony and Isaac Asimov off shelf and promising to bring them back. I was fascinated by robots that could think and act like people. What happened when they died?

I’ve written textbooks on landscape design, but that was straightforward, informational writing; the kind of stuff that helps most people get to sleep. I’ve also been writing a gardening column with a humorous slant. That takes a little more finesse, but still informational for the most part.

I’m a cynical reader. I demand the writer sweep me into his/her story and carry me to the end. I’d rather sail a boat than climb a mountain. That’s the sort of stuff I wanted to write, not the assigned reading we used to get in high school. I wanted to create stories that kept you up late.

Fiction, GOOD fiction, is hard to write. Having a story unfold inside your head is an experience different than reading. You connect with characters in a deeper, more meaningful way. You feel them, empathize with them, cheer for them and even mourn. The challenge is to get the reader to experience the same thing, even if it’s only a fraction of what the writer feels. Not so easy.

MY TONY BERTAUSKI REVIEWS

The late summer heat in Echo Valley, Colorado turns lush greenery into a tinder dry landscape. When a young girl mysteriously disappears, long buried grudges rekindle. Of the two Flores girls, Marisa was the one people pegged for trouble. Her younger sister, Lena, was the quiet daughter, dutiful and diligent—right until the moment she vanished.

Detective Jo Wyatt is convinced the eleven-year-old girl didn’t run away and that a more sinister reason lurks behind her disappearance. For Jo, the case is personal, reaching far back into her past. But as she mines Lena’s fractured family life, she unearths a cache of secrets and half-lies that paints a darker picture.

As the evidence mounts, so do the suspects, and when a witness steps forward with a shocking new revelation, Jo is forced to confront her doubts, and her worst fears. Now, it’s just a matter of time before the truth is revealed—or the killer makes another deadly move.

Book Details:

Genre: Mystery
Published by: Crooked Lane Books
Publication Date: October 12th 2021
Number of Pages: 288
ISBN: 1643857622 (ISBN13: 9781643857626)
Series: A Jo Wyatt Mystery, Book 2 || Each mystery in the A Jo Wyatt Mystery series is a stand alone novel.
Purchase Links: Penguin Random House | Amazon | Barnes Noble | Goodreads

Everyone had a story from that night. Some saw a man, others saw a girl, still others saw nothing at all but didn’t want to squander the opportunity to be part of something larger than themselves. To varying degrees, they were all wrong. Only two people knew the full truth.

That Saturday, visitors to the county fair clustered in the dappled shade cast by carnival rides and rested on hay bales scattered like afterthoughts between games of chance and food booths, the soles of their shoes sticky with ice cream drips and spilled sodas.

Detective Jo Wyatt stepped into the shadow of the Hall of Mirrors to watch the crowd. She grabbed the collar of her uniform and pumped it a few times in a futile attempt to push cooler air between her ballistic vest and sweat-sodden T-shirt.

The Echo Valley Fair marked the end of summer, but even now, as the relentless Colorado sun dipped, heat rose in waves around bare ankles and stroller wheels as families retreated toward the parking lots. An older crowd began to creep in, prowling the midway. The beer garden overflowed.

Within minutes the sun dropped behind the valley walls and the fairground lights flickered to life, their wan orange glow a beacon to moths confused by the strobing brightness of rides and games. Calliope music and the midway’s technopop collided in a crazed mishmash of notes so loud they echoed in Jo’s chest. She raised the volume of her radio.

The day shift officers had clocked out having handled nothing more pressing than a man locked out of his car and an allegation of unfair judging flung by the second-place winner of the bake-off.

Jo gauged the teeming crowd of unfamiliar faces. Tonight would be different.

#

Carnival music was creepy, Lena decided. Each ride had its own weird tune and it all seemed to crash against her with equal force, following her no matter where she went.

The guys in the booths were louder than they had been earlier, more aggressive, calling out, trying to get her to part with her tickets. Some of the guys roamed, jumping out at people, flicking cards and making jokes she didn’t understand while smiling at her older sister.

Marisa tossed her hair. Smiled back. Sometimes they let her play for free.

“Let’s go back to the livestock pavilion,” Lena said.

“Quit being such a baby.” Marisa glanced over her shoulder at the guy running the shooting gallery booth and tossed her hair. Again.

Lena rolled her eyes and wondered how long it would be before her sister ditched her.

“Hold up a sec.” Marisa tugged at the hem of her skintight skirt and flopped down on a hay bale.

She’d been wearing pants when they’d left the house. The big purse she always carried probably hid an entire wardrobe Momma knew nothing about. Lena wondered if the missing key to grandma’s car was tucked in there too.

Marisa unzipped one of her boots and pulled up her thin sock.

Lena pointed. “What happened to the bottom of your boot?”

Her sister ran her finger along the arch. “I painted it red.”

“Why?”

“It makes them more valuable.”

“Since when does coloring the bottom of your shoes make them more valuable?”

Marisa’s eyes lit up in a way that happened whenever she spoke about clothes or how she was going to hit it big in Hollywood someday. “In Paris there’s this guy who designs shoes and all of them have red soles. He’s the only one allowed to do that. It’s his thing.”

“But he didn’t make those boots.”

“All the famous women wear his shoes.” She waved to someone in the crowd.

“You’re not famous and you bought them at Payless.”

“What do you know about fashion?”

“I know enough not to paint the bottom of my boots to make them look like someone else made them.”

Marisa shoved her foot into her boot and yanked the zipper closed. “You bought your boots from the co-op.” She handed Lena her cell phone.

“You should have bought yours there, too.” Lena dutifully pointed the lens at her sister.

“Take a couple this time.” Marisa leaned back on her hands and arched her back, her hair nearly brushing the hay bale, and the expression on her face pouty like the girls in the magazines she was always looking at.

Lena snapped several photos and held out the phone. “All those high heels are good for is punching holes in the ground.”

“Oh, Lena.” Marisa’s voice dropped as if she was sharing a secret. “If you ever looked up from your animals long enough, you’d see there’s so much more to the world.” Her thumbs rapidly tapped the tiny keyboard of her phone.

In the center of the midway, a carnival guy held a long-handled mallet and called out to people as they passed by. He was older—somewhere in his twenties—and wore a tank top. Green and blue tattoos covered his arms and his biceps bulged as he pointed the oversized hammer at the tower behind him. It looked like a giant thermometer with numbers running along one edge, and High Striker spelled out on the other.

“Come on, men. There’s no easier way to impress the ladies.” He grabbed the mallet and tapped the plate. “You just have to find the proper motivation if you want to get it up…” He pointed with his chin to the top of the game and paused dramatically. “There.” He craned his neck and leered at Marisa. Lena wondered if he was looking up her sister’s skirt. “What happens later is up to you.”

Never breaking eye contact, he took a mighty swing. The puck raced up the tower, setting off a rainbow of lights and whistles before it smashed into the bell at the top. He winked in their direction. “Score.”

Twenty minutes later, Marisa was gone.

#

Lena gave up looking for her sister and returned to the livestock pavilion. Marisa could keep her music and crowds and stupid friends.

Only a few people still wandered around the dimly lit livestock pavilion. The fireworks would start soon and most people headed for the excitement outside, a world away from the comforting sound of animals snuffling and pawing at their bedding.

Marisa was probably hanging out near the river with her friends, drinking beer. Maybe smoking a cigarette or even a joint. Doing things she didn’t think her baby sister knew about.

Lena walked through an aisle stacked with poultry and rabbit cages. The pens holding goats, swine, and sheep took up the middle. At the back of the pavilion stretched a long row of three-sided cattle stalls. The smells of straw, grain, and animals replaced the gross smell of deep-fried candy bars and churros that had clogged her throat on the midway.

Near the end of the row, Lena stopped.

“Hey there, Bluebell.” Technically, he was number twenty-four, like his ear tag said. Her father didn’t believe in naming livestock, but to her, he’d always be Bluebell—even after she sold him at the auction to be slaughtered. Just because that was his fate didn’t mean he shouldn’t have a name to be remembered by. She remembered them all.

She patted his hip and slid her hand along his spine so he wouldn’t shy as she moved into the stall. She double-checked the halter, pausing to scratch his forehead. A piece of straw swirled in his water bucket and she fished it out. The cold water cooled her hot skin.

“You did good today. Sorry I won’t be spending the night with you, but Papa got called out to Dawson’s ranch to stitch up some mare.”

He swished his tail and it struck the rail with a metallic ring.

“Don’t get yourself all riled. I’ll be back tomorrow before you know it.”

If she hadn’t been showing Bluebell this afternoon, she’d have gone with her father. Her sutures had really improved this summer and were almost as neat as his. No one would guess they’d been made by an eleven-year-old. If nothing else, she could have helped keep the horse calm.

Instead, she’d go home with Marisa and spend the night at Momma’s. She wondered if Marisa would show up before the 4-H leader called lights out in the pavilion or if Lena would have to walk to her mom’s house by herself in the dark.

She reached down and jiggled the feed pan to smooth out the grain that Bluebell had pushed to the edges.

“That’s some cow.”

The male voice startled them both and Bluebell stomped his rear hoof. Lena peered over the Hereford’s withers. At first all she saw were the tattoos. An ugly monster head with a gaping mouth and snake tongue seem to snap at her. It was the carny from the High Striker standing at the edge of the stall.

“It’s a steer,” she stuttered. “And my sister isn’t here.”

“Not your sister I wanted to talk to.” He swayed a bit as he moved into the stall, like when her mother drank too much wine and tried to hide it.

Lena ducked under Bluebell’s throat and came up on the other side. She looked around the pavilion, now empty of people.

“Suspect they’re all out waiting on the fireworks,” he said.

The first boom echoed through the space. Several sheep bleated their disapproval and Bluebell jerked against his halter.

“Shhhh, now.” Lena reached her hand down and scratched his chest. “All that racket’s just some stupid fireworks.”

“Nothing to worry about,” the man added. He had the same look in his eyes that Papa’s border collie got right before he cut off the escape route of a runaway cow.

A bigger boom thundered through the pavilion. Halter clips clanged against the rails as uneasy cattle shuffled in their stalls. Her own legs shook as she sidled toward Bluebell’s rear.

He matched her steps. “What’s a little thing like you doing in here all by yourself?”

“My father will be back any minute.” Her voice shook.

He smiled, baring his teeth. “I’ll be sure to introduce myself when he arrives.”

A series of explosions, sharp as gunfire, erupted outside. Somewhere a cow lowed. Several more joined in, their voices pitiful with fear.

“You’re upsetting my steer. You need to leave.”

“Oh, your cow’s just fine. I think it’s you that’s scared.”

He spoke with the same low voice that Lena used with injured animals. The one she used right before she did something she knew would hurt but had to be done.

“You’re a pretty little thing,” he crooned. “Nice and quiet.”

Her tongue stuck to the roof of her mouth. She stood frozen. A warm trickle started down her leg, and the wet spot expanded on her jeans.

He edged closer. “I like them quiet.”

#

Jo ran.

The suspect veered off the sidewalk and slid down the hillside toward the creek.

She plunged off the side of the embankment, sliding through dirt and duff, closing the distance. She keyed her shoulder mic. “Entering the creek, heading west toward the Animas. I need someone on the River Trail.”

Narrow-leaf cottonwood and willows shimmered silver in the moonlight and wove a thicket of branches along the water, herding the suspect toward the cobbled stream bed.

Jo splashed into the ankle-deep water. Close enough now to almost touch.

Her lungs burned. With a final burst of speed, she lunged. Shoved his shoulder while he was mid-stride.

The man sprawled into the creek. Rolled onto his feet with a bellow. A knife in his hand.

Without thinking, she’d drawn her gun. “Drop it!”

Flashlight beams sliced the foliage. Snapping branches and crashing footsteps marked the other officers’ progress as they neared. Estes shouted Jo’s name. Her eyes never left the man standing just feet away.

“Over here!” She focused on the man’s shoulder, watching for the twitch that would telegraph his intentions. “You need to drop the knife. Now.” Her voice rose above the burble of the stream. “Or things are going to get a whole lot worse for you tonight.”

She shifted her weight to her front leg and carefully shuffled her rear foot until she found firmer footing and settled into a more stable shooting stance. “Drop the knife.” She aimed center mass. Drew a deep breath, willed her heart to slow.

The knife splashed into the creek near the bank.

“On your right.” Estes broke through the brush beside her.

“Get down on your knees,” Jo ordered. “Hands behind your head.”

“It’s my friend’s truck,” the man said.

Jo holstered her gun and moved forward while Estes covered her. She gripped his fingers and bowed the suspect backward, keeping him off balance while she searched him for weapons, then cuffed him.

“Not according to the owner.” She double-locked the cuffs while Estes radioed dispatch they had one in custody.

An explosion above the treetops made Jo flinch. Fireworks slashed the darkness and burst into balls of purple and green and dazzling white that sparkled briefly, then disappeared.

***

Excerpt from Mercy Creek by M.E. Browning. Copyright 2021 by M.E. Browning. Reproduced with permission from M.E. Browning. All rights reserved.

M.E. Browning writes the Colorado Book Award-winning Jo Wyatt Mysteries and the Agatha-nominated and award-winning Mer Cavallo Mysteries (as Micki Browning). Micki also writes short stories and nonfiction. Her work has appeared in dive magazines, anthologies, mystery magazines, and textbooks. An FBI National Academy graduate, Micki worked in municipal law enforcement for more than two decades and retired as a captain before turning to a life of crime… fiction.

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Rachel Drake is on the run from the man who killed her husband. She never leaves her safe haven in an anonymous doorman building, until one night a phone call sends her running. On her way to the garage, she is murdered in the elevator. But her story doesnt end there.

She finds herself in the afterlife, tethered to her death spot, her reach tied to the adjacent apartments. As she rides the elevator up and down, the lives of the residents intertwine. Every one of them has a dark secret. An aging trophy wife whose husband strays. A surgeon guarding a locked room. A TV medium who may be a fraud. An ordinary man with a mysterious hobby.

Compelled to spend eternity observing her neighbors, she realizes that any one of them could be her killer.

And then, her best friend shows up to investigate her murder.

“[An] enticing debut . . . Distinctive characters complement the original plot. Power is off to a promising start.” —Publishers Weekly

“A creative, compulsively readable mystery—haunted by strange entities and told from the unique perspective of a ghost. I couldn’t put it down.” —Jo Kaplan, author of It Will Just Be Us

Book Details:

Genre: Thriller/Supernatural
Published by: CamCat Books
Publication Date: October 5th 2021
Number of Pages: 368
ISBN: 0744301432 (ISBN13: 9780744301434)
Purchase Links: Amazon | Barnes Noble | Goodreads | CamCat Books

It takes forever for someone to find my body. At six, the elevator is called to the fourth floor, and an early riser greets the sight of my body with a shrill scream. He stumbles backward, clutching his briefcase to his chest. I get the impression that he’s never discovered a grisly crime scene before. I, on the other hand, am enveloped in the cool indifference that seems to accompany death.

He staggers back to his apartment, shrieking hysterically all the way. Several of his neighbors rush out into the hall. Each person is in various stages of undress. A pregnant woman wearing a silk bathrobe and only one slipper. A man whose face is coated in shaving cream, save for a single bare strip down his left cheek. The look of horror on their faces would have been amusing if I were in the mood for dark humor. The elevator doors slide shut, and I am launched to another floor, where I startle another early commuter. The elevator doors close on the stunned woman’s face, lurching toward its next stop. I’m destined for repetition. Perhaps this is hell.

The police finally arrive, call the elevator to the ground floor, and put it out of service. I have now informally met a quarter of the building’s occupants, which is more than I met in the two years I lived here. A handful of police officers form a perimeter, trying to block the sight of my corpse from the prying eyes of my nosey neighbors. I hover by the elevator door as forensic investigators get to work examining my corpse. I try not to watch—disgusted by the sight of my limp body, which is coated in blood that has begun to cake—but the process is mesmerizing. The flash of cameras, the murmur of voices, and the hypnotic movement of pencils as they scribble in pristine, white notebooks. The forensic experts step gingerly around the scene, careful not to disturb anything, as they scrutinize my body from all angles. As they work, I can’t stop staring at my face. My eyes are still open and glazed over with a milky white sheen. My skin is nearly white, a shocking contrast to the deep crimson gash across my neck. My lips are parted in a soundless scream. A forensic investigator in a white bodysuit steps in front of me, cutting off my view. Relief floods through me, and I turn away before the sight of my own corpse enthralls me once again. I know I gained consciousness only minutes after my death, because blood was still dripping where the arterial spray arched across the walls, looking as if an artist had decided to add a splash of color to the monochromatic gray. I was reluctant to leave my body, but I had no idea what else to do. I had no moment of shock, no moment of revelation where I realized I was dead. I knew it from the instant I opened my eyes and saw the world from the other side. A world which looks different in death. Everything is a little grayer, a little faded. Voices and sounds have a slight echo. It’s as though I’m experiencing everything through a thin film—some indescribable substance that separates the world of the living from mine.

But why am I still here? My body has been found; the police are clearly investigating. It won’t take long for them to figure out it was he who killed me. I leave the elevator and glance around the lobby. I don’t see any obvious doorways or bright lights to follow. How will I know where to go? I bite back the pang of disappointment when I realize that none of my lost loved ones are here to welcome me. No husband. No parents. No Grumpelstiltskin, my childhood dog. Where are they, and how do I find my way to them?

I’m self-aware enough to know that I’ve always feared the unknown, and it’s obvious that this hasn’t changed in death. Instead of searching for my escape, I stay locked in place, eyes glued to the crime scene investigators. After what feels like an eternity, the medical examiner deposits my body into a black bag and wheels it out of the building. I begin to follow. Maybe if I slip back into my body, I’ll awaken, and everyone will laugh, like this was all just one big misunderstanding.

I’ll spend the rest of my days wearing a scarf, elegantly positioned to hide my gaping neck wound, like the girl in that urban legend.

I slam into an invisible wall about a dozen feet from the elevator. Slightly disoriented, I shake my head. I press forward.

Again, I’m stopped by an imperceptible force. I reach out, and my hand flattens midair. I run my hand along this invisible barrier, but it seems to run as high as I can reach and down to the marble floor.

I follow the barrier, tracing my hand along it. It cuts across the entire lobby, but not in a straight line. It’s slightly curved. Beyond the wall, I can see the medical examiner exit the building with my body, leaving my soul behind. I slam a hand against the invisible wall once again, but there’s no give.

My attention is drawn by the sound of a familiar grating voice. Elias Strickland, the concierge, is speaking with a police officer who looks like he’s desperate to leave. The invisible wall can wait. I approach the pair to eavesdrop.

“We have excellent security here,” Elias says. His perpetually nasal voice is exacerbated by the tears that stream down his face. “How could this have happened? My residents will want an explanation immediately.”

“We have someone reviewing the security footage of the exits. If the killer left the building, we’ll have them on film,” the police officer says.

“If they left the building? Are you saying they might still be here?” Elias tugs at his cheap tie.

The killer might still be in the building. I look around and notice for the first time that the residents aren’t allowed to simply leave. Police officers guard the front door, questioning each individual before they allow them to go to work or to the spa or to do whatever they think is more important than mourning my death.

“What can you tell me about the victim? Ms. Rachel Anne Drake?” the police officer asks.

“Well . . .” Elias runs a hand through his thinning, brown hair. “She is—was—an odd one. She rarely spoke to anyone. She kept to herself. I think I was her only friend in the building.”

I stare at him, just now realizing that the tears streaming down his face are for me. I feel a pang of guilt. I’ve never considered us “friends.” I interact with him once every few weeks—only when I have mail to pick up or complaints about the security guards.

Elias continues, “She even had her groceries delivered. I haven’t seen her leave the building in months.”

The police officer suddenly looks interested. He pulls a small, wire-bound notebook from his pocket and uncaps his pen.

“Do you think it’s possible that she may have been hiding from someone?”

“Possibly . . . She was always really interested in the security in the building. Like that was the main reason why she moved here, not the fabulous party room or the services I provide as concierge.” I wince in pity as he says the word with a dreadful French accent. He should have picked a line of work that he could pronounce.

“Did she have any visitors?”

“There was a man who used to come around, but I haven’t seen him in a few months,” Elias says. At the police officer’s prompting, he continues on to describe him. I realize he’s talking about Luke.

The police officer asks a few follow-up questions, and I’m surprised by just how much Elias knows. He knows the date and time of my weekly grocery deliveries, that once every couple of weeks I’ll treat myself to pizza delivered from the greasy place down the street, and that I get a haul of books delivered every time BMV Books has a sale.

“Well, if you think of anything else, please contact us immediately.” I peer over the police officer’s shoulder to look at the scribbles in his notebook, but he’s used a shorthand that I can’t decipher.

A nearly identical police officer emerges from the security office holding a flash drive. He glances at the concierge, then turns to his partner and begins speaking rapid French.

“The video doesn’t show anybody leaving the building between one and two this morning. But apparently, there was a power outage for about five minutes, and the killer could have left during that window.”

“No! That power outage happened before I died. The power came back, and then he killed me.” I blink and glance around. I hadn’t thought I’d be able to speak.

It makes no difference. Neither police officer reacts to the sound of my voice. I look at Elias, but he’s watching the officers intently. I turn my attention to the rest of the people milling about, but none of them seem to have heard me either. But I’m not yet discouraged.

I approach the pot-bellied man standing the closest to the crime scene tape. He cranes his neck to see into the elevator.

“THERE’S NOTHING TO SEE HERE!” I shout into his face. He doesn’t react. I try to shake him, but my hands fall through his fleshy body. I feel nothing—no chill, no warmth—as I slide my hands through him. I examine his face, but it’s clear that he doesn’t sense me in the slightest.

I strategically progress through the lobby, shouting at each bystander, attempting to reach them through any means.

I try everything I can remember having seen in movies about ghosts—from waving my hands through their heads to shouting obscenities in their ears. No one reacts. No one so much as shivers.

I’m angry, disappointed, and beginning to feel helpless. I brace myself, preparing to do my calming breathing technique, but there are no symptoms of a panic attack. My body is overcome by the numbness of being incorporeal. I could get used to this. I suppose I’ll have to.

I glance around, noticing that the police officers have long gone, and they’ve been replaced by a cleaning crew of four burly men who are crammed into the elevator. They’ve already bleached the walls in an attempt to remove all trace of my messy execution. The lobby is nearly empty now. Only Elias stands at his station, compulsively wringing his hands in between fielding calls from curious residents and the media.

I survey the expansive, high-ceilinged lobby. Unlike the rest of the building, it was designed with the sole purpose of impressing visitors. The floors are marble, polished to near perfection. The wallpaper is a pale blue with gold foil accents in the shape of falling leaves. A hefty, ornate clock is the only decoration on the stretch of the wall across from the front desk. There are two wing chairs and a sofa positioned underneath it. It serves as a sort of waiting area, though in my two years living in this building, I’ve never seen a single person sitting out here.

I can only access half of the lobby, so I need to find a way around this invisible barrier. I approach the elevator and look down the hall to the right. I tentatively step through the wall. I’m in the guest suite that’s reserved for visitors of building residents. The bed is neatly made, with the corners of the bedspread tucked tightly. There’s a lounge area sparsely decorated with cool tones. A gray, leather couch is angled toward an impressively-sized TV.

The room is windowless, but a single painting of a blue sky over a grassy field hangs on the wall opposite the door, creating the illusion of something beyond.

I stride across the plain gray rug and easily pass through this wall as well. I’m in the ground-level parking garage, which is located below the building. I continue to walk until I slam against the barrier. It doesn’t hurt, but it’s disorienting.

I place my hand on the barrier and follow it around until I reach the wall twenty feet from where I entered. The barrier is clearly circular. Is it meant to keep me contained? I shake my head at that thought, then I continue to follow the barrier through the wall, out of the garage, and into the library.

With gorgeous oak-paneled walls and towering bookshelves, the building’s library is quite a sight to behold. The leather couches look comfortable, with antique copper lamps strategically positioned between them. I’ve been down here several times over the last two years, but I never dawdle. I usually grab a handful of books and hurry back upstairs to the safety of my apartment, where I can actually relax and enjoy my reading.

I walk through the room divider into the “party” area. The dim overhead lights reveal a bar in the corner, which is framed by tall mirrors, making the room seem larger than it actually is. I scan the rest of the room. Circular tables are set up around a polished dance floor. I quickly hit another barrier only a few feet into the room.

I follow this barrier, clockwise, until I’ve made an entire lap of the enclosure. I was right. It is a circle. There are no breaks or gaps in the wall; nothing I can slip through to escape. What is this barrier? Who put it here? I have so many questions and no one to answer them.

Back in the lobby, the cleaning crew has finished their sterilization of the elevator. A starchy-looking woman stands in Elias’ face, complaining loudly about the inconvenience of having only one operating elevator. I’m glad that my death is nothing more than a disruption to her “busy” life. Shouldn’t she be disturbed that a brutal murder occurred hours ago in that very elevator? That the killer hasn’t even been caught? Hell, she should be worried that it’s haunted.

She spins on her heel and leaves a bedraggled Elias in her wake. She scowls at the cleaners, who are gathering their supplies and politely averting their eyes from her shrewd gaze. She presses the elevator button and boards the other one, which was already idling on this floor. She didn’t even have to wait five seconds. I’d love to see what a convenient elevator experience is like for her.

After she’s left, Elias tips the cleaners and reactivates the elevator. The doors slide shut, as if sealing my fate.

A man in snug jogging shorts strolls into the building, salutes Elias, and heads to the elevators. Elias nods and returns to his station. I decide to head over toward him to see what exactly he keeps behind the desk. It lies just beyond the invisible wall, so I might be able to see what he always stares at so intently on his computer.

Just as I reach the edge of the invisible barrier, a powerful sensation of vertigo overcomes me. My skin begins to crawl. I stare down at my arms in astonishment. My entire body is vaporizing, shredding into a million pieces, wisps of flesh fading into the world around me. I squeeze my eyes shut tightly, willing the end to come quickly.

***

Excerpt from The Ghosts of Thorwald Place by Helen Power. Copyright 2021 by Helen Power. Reproduced with permission from CamCat Books. All rights reserved.

Helen Power is obsessed with ghosts. She spends her free time watching paranormal investigation TV shows, hanging out in cemeteries, and telling anyone who’ll listen about her paranormal experiences. She is a librarian living in Saskatoon, Canada, and has several short story publications, including ones in Suspense Magazine and Dark Helix Press’s Canada 150 anthology, “Futuristic Canada”. The Ghosts of Thorwald Place is her first novel.

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Books from the Backlog is a fun way to feature some of those neglected books sitting on your bookshelf unread. If you are anything like me, you might be surprised by some of the unread books hiding in your stacks.

If you would like to join in, swing by Carole’s Random Life in Books.

Amazon / Goodreads

AMAZON SYNOPSIS

A movie heart-throb
A sports superstar
An aristocrat
A brilliant surgeon

Killers all.

These are the stories of those they killed.

Their wives.

The Night My Husband Killed Me, is the story of four women who were murdered by their husbands.

All of the women were beautiful, and were either famous at the time of their deaths, or became famous for being the victims of the charismatic, disturbed, men who ended their lives.

Being dead doesn’t end a woman’s feelings, or her anger. There is Natalie, the international and revered movie star who died the death she had most feared all of her life. There is the beautiful, life-loving Nicole, who might just have gone back to the stunning athlete she loved, if only he hadn’t killed her first. Then there is Sunny, heiress to one of Americas greatest fortunes, sent into an irreversible coma for paying too much for all the wrong things. And finally, there is Colette, the high school sweetheart who married the golden boy and endured a marriage of increasing lies and disappointment, culminating in her death and that of her little girls shortly after Valentine’s Day.

These four amazing women’s lives were cut short, but each has a story to tell … and now they have.

Goodreads Ratings: 3.75 · 155 ratings · 21 reviews

I added The Night My Husband Killed Me by Kathlen Hewtson on 2.4.13. This is nonfictionthe story of four women who lost their lives to the one who was supposed to love them. I love delving into the minds of twisted people, whether factual or fictional. How about you? Do you like getting down and dirty with the bad guys?

It is a pleasure to be back with the dragons in Abigail Owens latest novel in the Inferno Series, The Cursed King. Want to know why he was cursed? Gotta read the book. LOL

Amazon / Goodreads

MY REVIEW

Angelika: A phoenix with no flame.

Airk: a dragon afraid to shift, king of the White Clan

I am sure sparks will fly in the conclusion to the Inferno Rising series and it sure has been one wild ride with the characters as they find their destiny.

High King Pytheios wants Angelika.

Angelika Amons three phoenix sisters are happily mated with their dragon counterparts. She wonders if she will ever find her mate? It seems she has spent her whole life waiting for this or that and she was done with it. She wants something. In this case, it s Airk and she was going after him. Their innocence in the sex department is sweet, sexy, and HOT, as they discover each other.

Abigail Owen has a way with words and this was only one of Angelikas comments that cracked me up:

Oh, Gods, do not think about fucking the hot, lonely, dangerous dragon shifter.

I have spent some time with the dragon clans in their world and loved every minute of it. Not only do we have dragons, but we have many other wonderful supernatural characters that are well represented: phoenix, werewolves, gargoyles, hellhounds, witches, trollsand when one is taken I mourn them.

I am so happy that I was there at the beginning for the Inferno series by Abigail Owen. She did a wonderful job of wrapping up the series in a spectacular fashion. Do I want a happy ever after? You bet! Did I get it? Yes, but it came at a cost. Even you may shed a tear or two or three.

I voluntarily reviewed a free copy of The Cursed King by Abigail Owen.

GOODREADS BLURB

He will burn. She will rise.

Airk Azdajah, the rightful King of the White Clan, spent half a millennium being tortured by the false High King Pytheios. The only reason he’s alive is a curse— the man to kill Airk will be consumed in his own fire. Which is why Pytheios kept Airk alive, barely, unable to shift in his prison cage, driving the creature half of him into madness. Airk escaped, but he’ll never be truly free. What good is a king who can never let his feral dragon loose, never fly, and never lead his people? He’s better off dead.

Angelika Amon is the last unmated phoenix. The problem? She has no powers. Zip. Zilch. Angelika hates being dormant, especially now that her three sisters are blissfully mated to powerful dragon shifter kings and are very much part of the fight to take down the rotting king Pytheios, their parents’ killer. What good is a useless runt of a phoenix in a battle to save the dragon kingdom?

Desperate to find some way to help, she offers herself to Airk as a mate — just for political leverage. But a dormant phoenix is no damn use to him just like a dragon who can’t shift is no use to her. Until Pytheios sets his sights on Angelika for himself…

ABOUT ABIGAIL OWEN

Multi–award-winning paranormal romance author, Abigail Owen, loves plots that move hot and fast, feisty heroines with sass, alpha heroes with heart, a dash of snark, and oodles of sexy shifters! Other titles include wife, mother, Star Wars geek, ex-competitive skydiver, spreadsheet lover, eMBA, organizational guru, Texan, Aggie, and chocoholic.Abigail grew up consuming books and exploring the world through her writing. She attempted to find a practical career related to her favorite pastime by earning a degree in English Rhetoric (Technical Writing). However, she swiftly discovered that writing without imagination is not nearly as fun as writing with it.Abigail currently resides in Austin, Texas, with her own personal hero (who she totally married!) and their two children, who are growing up way too fast.

MY REVIEWS FOR ABIGAIL OWEN

Horror for Halloween

Amazon / Goodreads

MY REVIEW

I read the blurb for Golemfor fans of Silence of the Lambs, Clive Barker.and had to read it. I love the dark side and reading about the demons who walk there.

Newly pinned Detective John Ashton is on his first case and he is following up the lead for the District Attorneys missing daughter and the criminally insane Alena who swears she has seen her.

John has his own secret. He has psychic abilities and he will need them.

AlenaAnnette

A battle between good and evil, humans and demons. The humanstheir goodness does it give them a chance against a crafty and evil Golem?

P D Alleva has no qualms about putting his characters through hell, suffering and torture.

I would have hope that thing were going well, standing strong, then something would kill it and I would wallow in despair with P Ds characters. I do like villains, but

I love that P D Alleva was able to give me some of those spine tingling moments where I was afraid to read on,afraid to see what would happen nextand it sure didnt end the way I thought it would. That is worth a star and solves the problem I had flipping back and forth between a three and a four.

I voluntarily reviewed a free copy of The Golem by P D Alleva.

GOODREADS BLURB

Excellently written, with a twisted, spiraling, unexpected end that will leave you speechless. ~ TBM Horror Experts

Detective. Angel. Victim. Devil.

A haunting tale of suspense, loss, isolation, contempt, and fear.

On November 1, 1951, war hero John Ashton was promoted to detective. His first assignment: find the district attorney’s missing daughter. But his only lead is Alena Francon, a high society sculptor and socialite committed to Bellevue’s psychiatric facility.

Alena has a story for the new detective. A story so outlandish John Ashton refuses to heed the warning. Alena admits to incarnating Golem, a demonic force, into her statue. A devil so profound he’s infiltrated every part of New York’s infrastructure. Even worse, he uses children to serve as bodily hosts for his demonic army, unleashing a horde of devils into our world.

When Alena’s confidant, Annette Flemming, confirms the existence of Golem, John is sent on a collision course where fate and destiny spiral into peril, and the future of the human race hangs in the balance.

The Devil Is In The Details!

Fans of The Silence of the Lambs, Clive Barker, John Connolly, old Stephen King, and Anne Rice will be fascinated by this edge of your seat psychological horror thriller with a story that tears out the heart of humanity and throws it on a slab to be feasted on.

ABOUT P D ALLEVA

“This ambitious novel plays unashamedly in the pulp-SF sandbox. . . A conspiracy mavens dream, packed with gory alien-vampire action.” ~ KIRKUS REVIEWS

“An action packed no holds barred adventure with cinematic flair. Great for fans of Jeff Vandermeer’s Annhilation, L. Ron Hubbard’s Battlefield Earth, and John Ringo’s A Hymn Before Battle.” ~ Booklife Reviews

“Forget what you know about vampires and prepare to get a new bite from the tastefully different rules in The Rose Vol. 1. Bringing a new twist to a well-known genre is usually a riskWebsite, but PD Alleva has found a brilliant way to make it work. The Rose Vol. 1 is a fantastic recommendation for fans of vampire, fast-paced action, heart-racing, and dark-themed novels.” ~ Readers Favorite

Born in Brooklyn, New York, raised in Westchester County, New York, living in South Florida since 1992. A child of the 90’s PD has coined a new genre, Alternative Fiction. Why? Because Multi-Genre Author sounds like you’ve got marbles between your cheeks.

An avid reader who loves to talk books, PD will write short reaction reviews for the books he has finished and has not one issue answering questions from readers as they come.

Website / Twitter / Facebook / LinkedIn / Instagram / Bookbub

MY P D ALLEVA REVIEWS

Happy Monday everyone and welcome back to Music Monday! Let’s share some songs we’ve been enjoying lately! If you would like to play, and I really hope you do, please see the rules and link up below HERE

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Hi Everyone. I dont have much to say. Doing the normal. Binging on football for the weekend. Go Blue! And Roll Tide! Boston Red Sox? Jury is still out. For the upcoming week, I plan on writing some reviews, reading, binging on TV, working outside a bitand piddling around the house. Does anyone else piddle? Piddle: to waste time doing something that is not important or useful. Well, if I am doing it, it is important. LOL

Stay safe and wear a mask..

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