3TEN ACL LIVE - Music's Best Address

Time 2022-09-17 11:29:03

Web Name: 3TEN ACL LIVE - Music's Best Address

WebSite: http://www.3tenaustin.com

ID:318437

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FEATURING

BUY TICKETS Wed 16 Nov

Son Little

$25.00 ADVANCED // $28.00 DAY OF SHOW

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ABOUT SON LITTLE

Conceived in a cabin overlooking the Delaware River in upstate New York, Son Little’s latest album, Like Neptune, trades in the existential dread permeating previous work for unbridled joy and self-acceptance. In this verdant space of freedom, Son Little transmutes the chronic pain of self-doubt into a beautiful opus about overcoming generational trauma, decorating the altar of the primordial blues and elevating the labor of healing to high art.

"In the beginning of lockdown, I went into a closet full of junk and found a couple of boxes full of my old writing books,” Livingston explained. “There turned out to be 72 books in there.”

“The oldest book I got as a Christmas present when I was 9,” he continued. “In it, I wrote letters to myself about what was happening in my life. One page refers to a neighbor in Queens who abused me sexually around age 5. It was the first and only time I’d ever acknowledge this fact until after my 19th birthday, when I told my mother what had happened. She begged me go to therapy. I went under protest. My attempt wasn’t sincere. I wasn’t ready. I thought I could just power through it.”

Years of anxiety, depression, panic attacks and the aforementioned existential dread ensued, often dulled or numbed by the effects of alcohol, drugs, or sex. A frightening car crash and arrest finally led him back into therapy in 2017. Aggressively employing progressive methods like EMDR and somatic healing, Livingston, with the help of a trusted therapist, began identifying the roots of his trauma, and where it lives in the body. But the biggest breakthrough came from Internal Family Systems, a methodology that recognizes responses to trauma triggers as distinct entities or ‘parts’ within the person, and requires the patient essentially have conversations with the different traumatized personalities within them.

“One day in therapy I started talking to myself– to that annoying inner voice that criticizes everything when you mess up. I asked them how old they were and they said ’10’. I asked if they knew who I was, or how old I was and they said ‘no'! Strange as it all seems it’s had some amazing results. I’m able to soothe and comfort my inner…children.”

The open exchange with his wounded inner self challenges a tradition of silence that masks the trauma coursing through the bedrock of the genre; the impact of abuse has infamously undergirded the catalogs and upended the lives of some of R&B’s most iconic musicians. Like Neptune, however, counters that no student or practitioner of the tradition should believe trauma to be a necessary component of their sound.

“I’ve always felt as though I was making music because I had to, something inside compelled me. Fueled me,” Little shared. “This the first time in a long time I’m making music for the pure joy of creating.”

Delving into his journals and happily cooped up inside due to the pandemic, Son Little returned to beat making to craft the core of Like Neptune using apps on his iPad–– a method originally tasked with satisfying the nagging urge to create on a daily basis on the road; later he fleshed out the programming and added live instrumentation in Ableton live— while micro dosing LSD and immersing himself in the sounds of ‘70s era David Bowie and psychedelic Amazonian cumbia of the same period.

Like Neptune also marks a return, to Livingston’s origins in the east coast underground hip-hop and soul scene, which lead to collaborations with The Roots (“Guns Are Drawn” and “Sleep”) and Icebird partner and frequent-collaborator RJD2 (“Crumbs Off The Table”), and later Portugal. the Man (“Woodstock”).

With these DIY bedroom productions, many made with a cassette 4-track and a MPC drum machine, Livingston honed and refined the unique sound he would later employ producing soul music legend Mavis Staples’ 2015 Your Good Fortune EP (including a GRAMMY Award-winning cover of “See That My Grave Is Kept Clean”) and writing and producing with blues soul singer Deva Mahal. The entirety of this timeline of artistic growth and influence forms the foundation of his latest release.

Noticeably confident from the opening note, Son Little prioritizes his signature rasp as the chief instrument of every song on a 12-track meditation on the mortal struggle to achieve inner peace. Doling out a pearl-strung collection of successive epiphanies he engages each of his re-invigorated parts, empowering them to finally speak freely, with him as the vessel.

“Think of them as my inner R&B Boy Band, son little,” Livingston explained. “A different version of me takes lead on each song.”

Beginning with the opening track, Son Little lets loose in this expansive creative landscape. "drummer" is a chronicle of the artistic struggle punctuated by the expert timing of master percussionist Aaron Draper, Livingston’s inner critic delivers a spirited ode to the rigors and value of creative work.

The anxious worrisome part, the part that sets the alarm because you stayed up all night worrying about sleeping through the alarm, describes the ongoing effort to repair a fraught relationship with sleep on "6 AM."

And a once overly macho part finds power in vulnerability: "inside out” places balance and directness over possessiveness and toxicity with a groove inspired by both RZA and Prince, while "deeper" alludes to Son Little's long-standing desire to understand the human experience beyond mortality, someplace closer to the essence of the divine.

On the title track, Livingston’s voice does the heavy lifting – supported again by Draper’s percussion – and delivers the playful lyrics he attributes to his youngest and most wildly imaginative part, Neptune. Neptune is also responsible for “stoned love” which finds him cooing stoner wordplay flanked by the otherworldly synth work of Deshawn ‘Dvibes’ Alexander.

The lustful album closer “what’s good” practically oozes joy as a once angry, impatient part of him imagines reuniting with a would-be lover after a very long absence. This song demonstrates a depth of emotion with slick pop melodies and spare guitar to stomping gospel organ and brash arpeggios that scratch the psych-rock itch.

Like Neptune establishes Son Little as the polyglot translator and rightful torchbearer of the celebrated musical tradition known as rhythm and blues. Continuing to revolutionize the modern understanding and expectation of the R&B sound, Son Little delivers an unadulterated transmission of Black American music performed in its praying and pleading mother tongue. With it, he completes the daunting tasks of confronting himself and pushing his sound to completion. The result is a timeless body of work reflective of his deep internal desire to inhabit the most radiant version of himself and become a positive force in the lives of people around him. It’s been a long time coming, so what’s good?

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TICKETS ON SALE 9/9 AT 10AM Sat 12 Nov

The White Buffalo

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BUY TICKETS Fri 18 Nov

Gaelic Storm

It’s hard to imagine a band just coming into their own after 20 years of success, but that’s exactly what makes a true anomaly. This multi-national, Celtic juggernaut grows stronger with each live performance, and as you can imagine, after two decades and over 2000 shows, it is a true force to be reckoned with. With their latest release, Go Climb a Tree, their music has never sounded more representative of themselves as musicians and as live performers.

The band attributes their continued success to their fanatic audience, and it’s a well-diversified crowd for sure. The country-music folks adore the storytelling, the bluegrass-heads love the instrumentals, Celtic fans love their devotion to tradition, and the rockers simply relish the passion they play their instruments with. Each band member, in their own way, expresses a deep gratitude for their fans, but it’s best summed up in the words of Patrick Murphy: “The fans are the ones that have given us this life. We’re here for them.”

On Go Climb a Tree, co-founders of Gaelic Storm, Steve Twigger and Patrick Murphy, along with longtime friend and co-writer Steve Wehmever, are again at the helm of song-writing duties. The album has everything—party drinking songs (“The Beer Song”), patriotic anthems (“Green, White and Orange”), beautiful folk songs (“Monday Morning Girl”), spritely instrumentals “”The Night of Tomfoolery”), perfectly poppy songs (“Shine On”), and even a raucous pirate song (“Shanghai Kelly”). When speaking of the overall concept of the album, Patrick Murphy gives some insight: “With all the craziness and division in the world, we wanted to make an album about ‘contemplative escapism.’ Go Climb a Tree certainly isn’t about dropping out of the conversation, it’s just about taking a short hiatus to recharge the batteries before you take on the world again.”

Gaelic Storm takes a true blue-collar, hard-nose approach to touring, consistently traveling the US and internationally over 200 days a year, forging a unique path in the Celtic music world. “You have to see us live. We are the true working-mans’ band,” says Ryan Lacey, who joined the lineup in 2003. “We still, and most likely always will, tour most of the year, and that’s how we constantly hone our craft.”

The dedication to live shows date all the way back to the mid-1990s, when Gaelic Storm kicked off its career as a pub band in Santa Monica, California. Due to their discovery at the pub, by the end of the decade, the musicians had appeared in the blockbuster film Titanic (where they performed “Irish Party in Third Class”). This laid the groundwork for a career that would eventually find them topping the Billboard World Chart six times, making appearances at mainstream music festivals, and regularly headlining the largest Irish Festivals across the country, all the while gaining a reputation as a genre-bending Irish rock band, whose songs mix Celtic traditions with something uniquely creative.

Looking to the future, Gaelic Storm is excited about what lies ahead. In 2022, they were excited to welcome Natalya Kay, an incredible fiddler hailing from Western Massachusetts, but living now in Music City, Nashville, TN. Natalya's energy and presence on stage has been a force to be reckoned with.

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BUY TICKETS Wed 23 Nov

Grupo Metál

featuring Chris Perez

Grupo Metál of San Antonio, Texas was established in 1991 as a tejano band. Formed by Carlos Miranda Jr, son of the legendary singer Carlos Miranda, Carlos Jr first toured opening for Selena Quintanilla Perez across Texas spanning three tours in four years (Ven Conmigo Tour, Entre Mi Mundo Tour & The Grammy Award Selena Live Tour).

After leaving the company, Carlos Jr soon updated his name to Carlito and emerged as a solo artist. He signed a deal with Sony records and hit the road touring with the Big Giants of tejano La Mafia. After touring with his first solo album, Carlito decided to venture into another genre - Rock en Espanol under the name Grupo Metál. With an all star musician line up, Grupo Metál skyrocketed in popularity, selling out shows all over Texas.

Soon after, Grupo Metál welcomed Chris Perez to the band. Chris was a special addition to Metál since Carlito and Chris had first forged their friendship as children, a bond that can never be broken. Music had only strengthened their friendship over the years. Touring side by side years earlier, the two enjoyed the time spent on the road touring with Selena.

Ex Dinos Guitarist, Chris Perez who was married to Selena Quintanilla Perez, worked through various Selena albums which included hits like “Bidi Bidi Bom Bom,” “Amor Prohibido,” “Carcacha,” and “Como La Flor.”

Chris continued his career and went on to win a Grammy with his solo album Resurrection. Following this success, he joined Los Kumbia Kings and worked with them for quite some time. After a brief hiatus, Chris continued to work on a number of projects including Metál.

The roots of Metál run deep. Each member have been personal friends for years & have all worked with one another in various projects throughout their musical careers, This trifecta of talent pays tribute to Prince, Eddie Van Halen, David Bowie to name a few, ending with a special tribute to La Reina Selena in this upcoming show.

Over the years Carlito & Chris Perez have crossed paths musically numerous times. First with Selena y Los Dinos, Chris Perez Project and now full circle with Grupo Metál & most recently they announced their company Blue Mariachi Productions.

Grupo Metál Ft Chris Perez will leave you dancing, singing as they pay homage to yours & their favorite artist & what better way to celebrate life with this band of brothers who share this twenty year history, connected through their love of music, Chris Perez, Carlito Miranda embark on this journey as they were once fortunate enough to have shared part of history and now these brothers invite you to take part in their story & show, so prepare yourself for a ride with Grupo Metál Ft Chris Perez with special guest, YOU!

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BUY TICKETS Fri 14 Oct

Ripe

ACL LATE NIGHT

On a primal level, we react to music through movement.

A head-nod, a foot-tap, or a handclap certainly shows appreciation, but dancing seals the eternal bond between audience and musician. Siphoning the spirits of rock, funk, R&B, jazz, and pop through a kaleidoscope of unpredictable and virtuosic improvisation, Boston-based Ripe consistently bring people to their feet. Most importantly, they prove that “dance music” in its purest form doesn’t have to come from computers and synthesizers. It can be an unstoppable groove or an extended moment of ecstatic release. Like those bodies moving on the floor, it’s the result of the energy, friction, and communication between living and breathing people. An inimitable and indefinable chemistry has separated and singled out Ripe since day one. Subverting any and all standard genre boundaries once again, their latest offering confidently continues that tradition. These five musical soulmates —Robbie Wulfsohn [vocals], Jon Becker [guitar], Sampson Hellerman [drums], Calvin Barthel [trombone], and Nadav Shapira [bass]—once again incite listeners to move on their full-length debut, Joy In The Wild Unknown.

“What we make is music you can dance to,” affirms Robbie. “We’re drawn to the peak of a song—the emotional catharsis when everything comes out. It’s all about reaching that moment. The revelation comes back to us when bodies shake with joy.”

“Every time we play, something unique happens,” adds Jon. “You’ll never see the same show twice. We want to bring that unexpected element into the pop sphere.”

Ripe brings the swagger of funk filtered through a rock anthem, a musical journey that somehow gets as stuck in your head as your favorite pop banger.

Formed during their Berklee College of Music days, the boys have built a rabid fan base through tireless gigging and a steady stream of music. Following their debut collection of songs, Produce The Juice EP, the 2015 Hey Hello EP yielded fan favorites “Goon Squad,” which clocked over 4 million Spotify streams. The band then raised the stakes with their debut album, Joy In The Wild Unknown, which represented a creative journey as Ripe became a national presence. The band tapped the talents of producer Cory Wong of Vulfpeck behind the board. Additionally, five-time GRAMMY® Award winner Joe Visciano [Mark Ronson, Adele, Beck, Coldplay] mixed the music, while mastering came courtesy of Randy Merrill [Lady Gaga, Lorde, Imagine Dragons, Taylor Swift].

Over the course of twelve songs, it finds the elusive sweet spot between jaw-dropping technicality and airtight songcraft as Ripe collectively kick off a fresh, focused, and fiery next phase. Averaging over 250K monthly listeners on Spotify, the group landed looks from the likes of WXPN, Huffington Post, Verge Campus, Boston Globe and Hype Machine love from sites like Ear to the Ground and Indie Obsessive. Along the way, they also hit the stage at festivals such as SweetWater, Levitate, The Rock Boat, High Sierra, LaureLive, Brooklyn Comes Alive, Audiotree, and Summer Camp.

The common thread would always be the translation of their individual interplay to their audience, one that Ripe views as not just fans, but old and new friends; an extended family that is rapidly growing as their sound spreads and their world deepens. Ripe gives the same weight to happiness as is often given to sadness. Their music signifies more than just a distraction from your troubles for a few hours - it’s an experience of connection and acceptance; a warm welcome into their world. In the end, this Joy is shared by an ever-growing community that’ll be dancing every time Ripe roll through town.

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BUY TICKETS Thu 8 Dec

Ryan Montbleau

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BUY TICKETS Sun 9 Oct

The 32nd Annual John Lennon Birthday Tribute

featuring The #9 Orchestra and Special Guests

The #9 Orchestra is a group of accomplished musicians from Austin, Texas who ‘come together’ annually to pay tribute to the music of John Lennon and the Beatles. This year, 2022, will mark the 32th year they have celebrated this Austin tradition. They will perform their 32ND Annual John Lennon Birthday Tribute on October 9,th John’s birthday, at the 3TEN ACL Live theater in beautiful downtown Austin.

The members The #9 Orchestra this year are- Stephen Doster, Darin Murphy, Randy Miller, Ben Cocke, Maria Nehring, Shana Norton, Bruce Marton, Dave Moerbe, Sam Jeffrey, Stephen Jeffrey, and Kelly Hodge.

Darin Murphy will be playing drums and singing. He has been touring nationally the past year with Todd Rungren and Christopher Cross for their 50 Years Ago Today tribute to the Beatles. He also was in the off-Broadway production of John Lennon sanctioned by Yoko Ono.

Randy Miller is known in Austin, Texas as the producer of the highly successful ALL ATX concert series. He was a founding member of Houston’s Zen Archer and has been performing Beatles music for most his life.

Singer, songwriter, and guitarist Stephen Doster’s late 2014 solo release Arizona was hailed a “masterpiece” with “one charmed melody after another” by Jim Caligiuri of the Austin Chronicle and an “exquisitely crafted classic” by Peter Blackstock of the Austin American Statesman. Both critics respectively selected it at the top of their “Best of 2014” lists. Doster’s follow up record New Black Suit was applauded as “similarly wondrous” by the American Statesman. The record was cited by KUTX in “Jody Denberg’s Top Tracks of 2017.” Denberg called it “the record I listened to the most in 2017.” In 2022 he released over the red sea on faw records which has received his most international airplay and acclaim to date.

Singer and guitarist Ben Cocke and singer and percussionist Dave Moerbe were original members of the Austin All Stars who hosted a long running jam session in Austin which featured a wide variety of guests from Sonny Bono to Robin Zander of Cheap Trick. Since the 70’s Moerbe has also been the drummer and one of the lead singers of Denim, a Texas treasure known for their latticework harmony vocals and feel-good songs.

When not performing with various symphonic groups throughout Texas and beyond, harpist Shana Norton is half of the internationally acclaimed duo Chaski who perform a variety of Celtic and Latin American folk music. Norton along with violinist Maria Nehring and keyboardist Bruce Marton form the orchestral sound of the group. They allow the band to perform many of the songs the Beatles themselves never performed live.

The Magical Mystery Horns featuring Sam Jeffrey, Stephen Jeffrey, and Kelly Hodge have been performing with the group for the last decade further allowing songs to be added to the repertoire that need a more flushed out sound. Sam Jeffrey’s piccolo trumpet solo on “Penny Lane” is always a hit with the crowd.

Please come and support the group as they hit 32 years of having fun and playing music that’s dear to their hearts.

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BUY TICKETS Sat 29 Oct

Ryan Griffin

ABOUT RYAN GRIFFIN
Already a hitmaker with a #1 song under his belt, Ryan Griffin is poised for a Country breakout with his Billboard Top 20 all-genre viral smash “Salt, Lime & Tequila.” The Florida native adds the soul of R&B to the honest universality of Country, forging a mix of romantic fun landing somewhere between Keith Urban and Brian McKnight. Growing up on his family’s farm and moving to Music City at the age of 17, Griffin made his first mark in 2016 as a co-writer of Kelsea Ballerini’s PLATINUM-certified #1 single “Dibs.” Gaining heat on multiple platforms, Griffin has been featured as a SiriusXM Highway Find and racked up more than 25 MILLION streams on Spotify alone with infectious tracks including "Going Going Gone," "Name On It" and "Right Here Right Now." Recognized as one of Rolling Stone’s "10 New Country Artists You Need to Know” and one of Pandora’s “Artists to Watch 2021,” Ryan has opened concert dates for Ballerini, Lady Antebellum, Old Dominion and Cole Swindell.

[/et_pb_text][et_pb_video _builder_version="4.17.0" global_colors_info="{}"][/et_pb_video][et_pb_social_media_follow _builder_version="4.17.0" _module_preset="default" global_colors_info="{}"][et_pb_social_media_follow_network social_network="facebook" url="https://www.facebook.com/ryangriffinmusic/" _builder_version="4.17.0" _module_preset="default" background_color="#3b5998" global_colors_info="{}" follow_button="off" url_new_window="on"]facebook[/et_pb_social_media_follow_network][et_pb_social_media_follow_network social_network="instagram" url="https://www.instagram.com/ryangriffinlive/" _builder_version="4.17.0" _module_preset="default" background_color="#ea2c59" global_colors_info="{}" follow_button="off" url_new_window="on"]instagram[/et_pb_social_media_follow_network][et_pb_social_media_follow_network social_network="youtube" url="https://www.youtube.com/user/ryangriffinlive" _builder_version="4.17.0" _module_preset="default" background_color="#a82400" global_colors_info="{}" follow_button="off" url_new_window="on"]youtube[/et_pb_social_media_follow_network][et_pb_social_media_follow_network social_network="twitter" url="https://twitter.com/RyanGriffinLive" _builder_version="4.17.0" _module_preset="default" background_color="#00aced" global_colors_info="{}" follow_button="off" url_new_window="on"]twitter[/et_pb_social_media_follow_network][/et_pb_social_media_follow][/et_pb_column][/et_pb_row][/et_pb_section]

BUY TICKETS Sat 19 Nov

The Dip

with Sir Woman

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BUY TICKETS Wed 28 Sep

Seratones

with Chief Cleopatra

“Revolution is not a one time event.”

Those words of Black feminist icon and poet warrior Audre Lorde’s resonate strongly with A.J. Haynes. Whether in her capacity as the frontwoman of the Shreveport, Louisiana-based funk-soul-rock group Seratones or as a reproductive rights advocate, Haynes knows well that no singular revolution or simple linear narrative can contain the true strength of revolution—the kind of complex, disruptive, personal revolutions that can open transformative portals to a better future. And on Seratones’ forthcoming third album, Love & Algorhythms (due April 29nd via New West Records), Haynes foregrounds the joyful struggle to find pleasure in a world designed to destroy you. “This is a protest album built on the form of protest I’m most interested in at this moment: getting present and sitting through difficult things with abundant joy,” Haynes says.

Love & Algorhythms emerges from a duality of desire: urging the listener to start repairing their world and being a part of that artful change itself. The celestial burst of lead single “Good Day” signals that arrival, Haynes’ thrilling falsetto lifting to the skies on a neon flutter. “Do you really want to get better?/ Do you really want to get well?” she sings, Travis Stewart’s super ball bass line bouncing through the mix. Written in part as homage to novelist Toni Cade Bambara, the track blends Black gospel vocals and polyrhythms with roots spread throughout the African diaspora to produce an effervescent immediacy.

Working with producer Paul Butler not only helped the band unlock a richer sound, he proved the perfect complement for Haynes’ interest in astrology, divination, and manifestation practices. As the band wrote, Haynes assigned each song on the album a different cosmic element and, along with Butler, the group explored what that astral connection could mean. “‘Good Day’ is Mars, the planet of urgent sex, hence the demanding tone: turn off your phone and get present, turn me on, get out of the cerebral and into your body,” Haynes says. “These drums can also be a warning—that we are willing to fight to protect what is worth saving, to love our community fiercely. When I was tracking vocals for the bridge, I sang so hard that I got a headache!”

That concept of relentless self-nurturing and engagement proved especially crucial. With COVID lockdowns approaching just as Seratones returned home at the end of the tour for their last studio album (2019’s rapturous Power), the group were forced at first to plan and write over Zoom. Combining those sessions with her work as a counselor at one of the last abortion clinics in Louisiana proved especially taxing for Haynes. And while music offered her a joyful escape, she trusts that Love & Algorhythms can do the same for listeners. “I would be close to burnout, but it would help to get home, take a shower, and put on Donna Summer’s ‘I Feel Love’ or Journey in Satchidananda by Alice Coltrane,” she says. “Alice Coltrane and Donna Summer are both divine in their own different ways.”

In the vein of that all-encompassing spirituality, Haynes invites the listener to crack the world in two on album opener and second single “Two of A Kind”, drummer Jesse Gabriel’s scorched

disco beat riding through clouds of red dust. “Wish I could see the world through both of your eyes,” she cries out, before the song reaches its ecstatic groove that ripples out through the entirety of the album. Following that track with the appropriately sensual “Pleasure” continues Seratones’ unexpected fusion of disco-indebted vocals and buoyant synth rhythms. Inspired by the writings of Afrofuturist author Octavia Butler, the track’s immaculately layered vocals soar and slide along the slopes of sawlike synths. “In ‘Pleasure’, I wanted to emulate one of Butler’s aliens playing in a Giorgio Moroder Venutian soundscape, a gleaming creature designed for pleasure and multiplicity,” Haynes reveals.

Love & Algorhythms is a powerful step forward in its ability to blend undeniably personal lyrics and an entire universe of conceptual influences into a statement of insistent joy. “I’ve learned from watching my grandmother, my great-grandmother, from reading bell hooks and being immersed in Audre Lorde’s writings,” Haynes says. “There’s a whole lineage within Black feminism of centering pleasure and centering joy as a means to liberation, and I feel very privileged to have my art richly rooted in Black feminism.”

Honoring that strength of tradition gave Seratones a freeing opportunity to let their imaginations unfold, to let the universe expand and explode with each track. After growing from the punk and rock world, folding soul and R&B into their sound, and now exploring the synthesis of electronic music, Love & Algorhythms unfurls in unexpected twists and turns. From the rippling, trippy “Dark Matter” to the fragrant and breezy “High”, the record seeps into the heart, mind, and limbs in equal measure.

Seratones urge you to move joyfully in the moment, and parsing that movement through astrology, Black feminism, and Afrofuturism proved redemptive for Haynes. “The really valuable part of the creative process is being present in challenging times, being able to tap into something that people need to hear versus something that is just for the sake of it,” she says. “There’s this American ideal of the pursuit of happiness, but I don’t want to chase happiness. I want bliss and wholeness. This world we’ve created, that we were able to discover through working through ourselves—I want to sit in this world longer.”

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VENUE TOURS

Tour the home of the Austin City Limits Television show. See the legendary music photography of Scott Newton & Jim Marshall. Experience Music’s Best Address at ACL Live.

The venue tour starts at 11am, Monday-Saturday, and lasts about 90 minutes.Tours will begin from the ACL Live venue box office located on Willie Nelson Blvd (W. 2nd Street).Exclusive access to the ACL Live merch store at the conclusion of the tour.Please arrive fifteen minutes early to ensure that the tour begins on time.5 years old and younger are admitted free with a paying adult.Tours are limited to 20 people.

Learn more about ACL Live venue tours here.

To ensure that you are able to take the tour, please purchase advance tickets for your desired tour date below. Limited tickets may be available for walk-ups, but are not guaranteed.

Book a Tour

STREAM COME TRUE

LIVE STREAMING CONCERT SERIES

Let your imagination run wild with 3TEN ACL Live presents Stream Come True, Powered by Dell Technologies: an online music series featuring some of Austin’s finest artists.

This new streaming series provides visibility and financial support to struggling musicians during the pandemic through a participation stipend provided by our partners at Dell Technologies and fan-supported virtual tip jars, while engaging with the Austin community and beyond to provide access to local live music during quarantine. Whether you live near or far, we’re sending a little bit of the Live Music Capital of the World to you by way of internet magic.

Learn MoreWatch Previous Streams

MUSIC’S BEST ADDRESS IS NOW EVEN BETTER.

3TEN ACL Live is the latest venue addition to the venerable Austin City Limits brand and family.

Located next door to the ACL Live box office in downtown Austin, 3TEN is a 350-person capacity state-of-the-art showcase room presenting smaller, more intimate shows of world-renowned, emerging, and local artists, as well as custom private event experiences.

As the newest extension of the Austin City Limits Live experience, 3TEN is reverently reminiscent of the original ACL Studio 6A at the University of Texas in both size and commitment to musical discovery and excellence. And as with its big sister ACL Live, 3TEN is also the embodiment of style, technological innovation, and exceptional quality. The venue is equipped with the most advanced audio and lighting systems available to deliver a live music experience like no other.

CalendarVenue TourFrequently Asked QuestionsWhat to ExpectLive Streams

Photo by Daniel Cavazos

STAY IN TOUCH

TONIGHT: Gabriel Kahane 7PM - Doors 8PM - Gabri TONIGHT: The Ocean Blue - Night 1

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