SCARTIME | Emanuel Gargano

Web Name: SCARTIME | Emanuel Gargano






chaosvisionwillemanuel garganoScartimeWHY “SCARTIME”?Chaos, Vision and Will are indeed the essential same components of life.

The word game describes at first glance, the scars of the time on Sandpapers.
But in Italian “scarto” means “scrap”, “waste”, a piece that is a residue of a craftwork.This describes the Sandpapers: used in industrial processes to levigate the wood.I realised that Time had made his magic with his marks and I start enhancing his effectswith some touches. So I took agreement with a couple of industries to buy these scraps,each one of them noted with the duration they have been used and the wood they havebeen used onto.
The twelve pieces of the Scartime collection are 2.50x1.25 m (8.2x4.9 ft) each.Aside the collection of twelve pieces, other smaller (1x1m, 3.2x3.2 ft) have been selectedand touched, always in the lightest form.
Under the technical point of view the artwork is “Wood and time on sandpaper”.
There are in the technique indeed three variables:
_ The Grit of the sandpaper
_ The Time of the action, in minutes
_ The wood or pattern of woods levigated
Grit and wood are the ones that leaves the Scars during the Time; ScarTime.

G180T96WENGE 8,20 X 4,10 ft _ 250 X 125 cm G160T14PADOUK 8,20 X 4,10 ft _ 250 X 125 cm G200T53MERBAU 8,20 X 4,10 ft _ 250 X 125 cm G120T49PADOUK 8,20 X 4,10 ft _ 250 X 125 cm CHAOSthe random casting of time, occurrence and matter G160T112PADOUK double pieces 3,28 X 3,28 ft _ 100 X 100 cm GENERAL VIEW double pieces 3,28 X 3,28 ft _ 100 X 100 cm GENERAL VIEW double pieces 3,28 X 3,28 ft _ 100 X 100 cm G130T17PADOUK 3,28 X 3,28 ft _ 100 X 100 cm VISIONthe ability to recognise the hidden beauty in the events G220T14WENGE 8,20 X 4,10 ft _ 250 X 125 cm G400T93MERBAU 8,20 X 4,10 ft _ 250 X 125 cm G250T77MERBAU 8,20 X 4,10 ft _ 250 X 125 cm G550T36PADOUK 8,20 X 4,10 ft _ 250 X 125 cm G300T118PADOUK 8,20 X 8,20 ft _ 250 X 250 cm WILLthe work of unveiling and sharpening the beauty G200T87MERBAU 8,20 X 4,10 ft _ 250 X 125 cm G100T46MERBAU 12,30 x 8,20 ft _ 375 X 250 cm G200T21MERBAU 8,20 X 4,10 ft _ 250 X 125 cm STUDIO VIEW STUDIO VIEW THE MANIFESTOIntroduction to the Emanuel Gargano’s poetry and concept

Unfocussed, in the focus, Torment turns around me in an ellipsis.
Cause the artist is the cheater at the table of the Fate:
“Twelve, black: born, grow up, die, restart”
I crystallize the hypnosis of the eclipse: “Fiat Lux” it’s the snatch and a wakethat is not in me. I work for the Darkness and in the Darkness.
Cause the night is in everything and I reckon when it says to the emotion “Disfigure yourself”
It’s the violence of the nocturnal cardio
The destruction of the intent, mine.
The allegiance between the Omen and the Never
There is the need of a getaway from the sea and the linens: Faust is not waitingHere, Life and Death, opposing music with same deceptive cadence:
Every single day, subtraction
Every single day, division
No one, at the end, intact

The armoured Silence with bolts of Time, fights the lightnings of the humans’ laws.
The anthem of the End waits pointlessly his shift with the patience of the woodworm.
Disinherited, the Shape leaves her trail during the horizontal escape: that’s my horizon.
At the end of the advent, the rip is fulfilled: the pupil reborn in a new letting,a kidnapping with no ransom.
With no momentum nor memento I recognise the lights and the nights:
they’re all already written.

A single “Amen” won’t suffice.

Italian artist and designer Emanuel Gargano is born in Assisi, Umbria.
This area profoundly shaped his creative and emotional sensibilities, and he continuesto live and work there in spite that several experiences bring him to different parts ofthe globe. After graduating from the ISIA (Superior Institute of Arts and Industry) ofUrbino, he moved to London and collaborated with architects and artists, where hesuccessfully grasped the calling to blend the concepts of "void" and "nothingness"regarding space, colours and time.
This is his own expression and perspective towards art.

Currently his professional life is carried out between London and his laboratory inAssisi, where he studies and develops his art approach and material research.It would be impossible to confine his multifaceted activities to a single professionaleld, as his work ranges from architecture to design, the study of light and arts.His works reveal a deep fascination with either natural and synthetic materials,and he forges any kind of physical matter in search of its innermost soul,a process that is likely parallel to what life itself continues to do with him day by day.

emanuel garganoeg@emanuelgargano.comvia Monte Oliveto, 2 06081 Assisi, Pg - Italy3rd Floor, 207 Regent Street London W1B 3HH - UKeg@emanuelgargano.comvia Monte Oliveto, 2 06081 Assisi, Pg - Italy
3rd Floor, 207 Regent Street London W1B 3HH - UKNO

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