Latest 100 arrivals : Honest Jon's Records

Web Name: Latest 100 arrivals : Honest Jon's Records






Donny Madjid from The Mauskovic Dance Band, armed with a sixties drum machine and a few synths, experimenting with new sounds, home-recorded. Following in the footsteps of classic and lesser known Dutch troubadours such as Ramses Shaffy and Ronald Langestraat, Don drew inspiration from bard-like storytelling and for the first time started writing in his native tongue, craftily forging lyrics that his rich tenor voice delivers with a sincerity that translates regardless of whether or not you understand Dutch. This intimacy is balanced evenly with synth and drum machine grooves, recalling Dutch New Wave legends Doe Maar — blending ear worm pop hooks and infectious danceable beats into these otherwise pensive ballads. Eight songs featuring a diverse cast of guests, spanning everything from ethereal folk to esoteric rhymes, from sunburnt soul to lysergic lullabies, all tied together by Hutchie s distinctive and decidedly psychedelic arrangements. Crisp wind arrangements crawl forth from thick synth haze; 808 drums rain down on choruses of birds, and muffled pianos meander past distended, muck-encrusted drum samples. Tasty, innovative junglism and dubstep by Gianluca Salvadori from Treviso. Nuff breaks and bass rumpus — with nods to early Source Direct in particular — but also fresh experimentalism and engaging introspection. Inspired, free, luminous music-making. An outernational holy grail and a stiff tonic for all citizens of nowhere. Already the great French jazz saxophonist had made monumental records alongside all-time legends like Monk, Blakey, Bud Powell and Miles — that s Wilen on Lift To The Scaffold — before cutting loose at the end of the sixties on a two-year journey through Morocco, Algeria, Niger, Mali, Upper Volta (now Burkina Faso) and Senegal, with a team of film-makers, technicians and musicians. Moshi means trance utterance — the moshi is a demon invoked by the Fulani Borogi of Niger, to chase away angst and depression — and this is a shamanistic bricolage of smoky musical spells and scraps of intimate, outdoors ambience, full of love, good vibes and gritty musical wonder, drawn from more than fifty tape reels recorded en route: desert blues, space-jazz, street-funk, acid rock, polyphonic rhythms and new-thing influences like Shepp and Sanders; buzzing, extended ensemble sessions, like alternative Bitches Brews, crossed with diverse snippets of magic grabbed on the wing, like Algerian gnawa, or solo mbira, or just people laughing together, or a Bamako griot  Beautifully presented, with a twenty-page booklet, and the DVD of Caroline de Bendern’s vivid, freewheeling film A L’Intention De Mlle Issoufou A Bilma, about the trip.Fervently recommended. Including both studio and concert recordings from 2016–2020, with antecedents in Laurie Spiegel’s Concerto Generator and Terry Riley’s Shri Camel, The Toothed Window presents marvellous, therapeutic, candid evocations of imaginary creatures and environments; swirling, extended, immersive symphonies like Anelli shuffled in with starry-eyed miniatures like King Hard-Beard and Bodulator. A timely return to Gania s deeply spiritual music, with its specific mission to heal, and fight evil. After the dizzying intensity of the opening song, Aicha offers more relaxed interpretations of the Gnawa ritual repertoire than Colours Of The Night, and a deeper, gentler sound. The album shines a light on Mahmoud s virtuoso guimbri playing and mastery of Gnawa songcraft. It stands out amongst his many releases. Recorded in his home town of Essaouira, with a small group of intimates; originally released in Morocco as a cassette in the late 1990s. Terrific 1963 date with Charlie Rouse, John Ore and Frankie Dunlop. Originals and standards; nothing Monk hadn t recorded before. Bubbling, chewy versions of Hackensack and Rhythm-A-Ning; a fabulous, seven-minute, solo Don t Blame Me. As Baroness Nica notes poshly on the sleeve, this is the happiest of albums, leaving one with an extraordinary feeling of elation. Judicious retrievals from the archive of the Scottish producer renowned for a string of records on Andrew Weatherall s Special Emissions label back in the day, including the Two Lone Swordsmen And A Being 12 , besides collaborating with the great Claude Young. A classy, seamless mix of shimmering, starry, old-school techno brilliance, with generous injections of oddness and Bass.This is the last Firecracker. What a terrific label. Hats off to Lindsay. We ship worldwide. The postage rates for your order are displayed before payment, which is processed using Paypal. You can pay using your Paypal account or any of the following cards. No need to join Paypal.

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